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Streamline your clinic’s revenue cycle and ignite your brand by joining Bardavon’s Premier Partner program. Participating in this innovative program provides valuable insights into your business and differentiates your clinic in the marketplace. Our goal is to partner with you on all your Workers’ Compensation claims. Enrolling in the program allows you to leverage bNOTES®Read More... We believe strongly in doing what is in the clients’ best interests, and that come from having the power of choice. Whereas some companies have a few solutions, we have over 300 products and 100 providers to choose from to put together a sound strategy for your clients. Select, Premier, and Gold partner certifications reflect the breadth of your skills across certain technologies. With their focus on hybrid IT and business transformation, certifications can help you increase profitability. Gaining certifications shows customers the areas in which you can help them become digital leaders. Premier Partner is a free, invite-only program that recognizes owners and managers who consistently deliver great traveler experiences. We review Premier Partner eligibility once every quarter. If you meet the following eligibility criteria during the quarterly assessment period, you’ll receive an invitation to accept the promise and join the ... A Premier Partner badge displays on these properties to help you identify them. We review Premier Partner accounts each quarter. This ensures that the program features properties that are continually dedicated to exceptional traveler experiences. What is the Book with Confidence Guarantee? Premier has a long history of joining forces with the Department of Health & Human Services. It’s been a natural partnership because of a shared goal: to build a high-performing healthcare system where Americans can get better care at a better price. Premier Partner is an invite-only program, so you don’t need to apply. If you meet the following eligibility criteria during the quarterly assessment period, you’ll receive an invitation to accept the pledge and join the program. If you have 1 property: If you're invited to become a Premier Partner on Vrbo, your property will display the Premier Partner badge and you will have access to all of the benefits provided as long as you continue to meet all of the above criteria. If you have more than one property, there is a two-step process to follow in order to become a Vrbo Premier Partner. Coronavirus Alert The safety and well-being of our patients, staff, visitors, and the community are Premier Health’s top priority. We are working with public health partners to prepare and care for any local instances of the novel coronavirus (COVID-19). And if your organization is looking for a partner to perform health outcomes and comparative effectiveness studies, Premier Applied Sciences is here to help. Why Become a Premier Supplier? Premier operates a group purchasing organization that is a first choice for not-for-profit health systems, academics and other facilities seeking high-value ...
NASCAR on Reddit: News from the oval
2009.01.24 21:45 NASCAR on Reddit: News from the oval
### This is a subreddit dedicated to trading and price commentary VeChain is a global leading blockchain platform for products and information. In the past two years, VeChain has accumulated great amount of experience in providing blockchain solutions to various industries including liquor, auto, luxury goods, pharmaceuticals, retail, logistics, supply chain, food and cold storage etc.
Cast: Kim Ha-neul (The Wind Blows), Yoon Sang-hyun (Shopping King Louie), Lee Do-hyun (Hotel del Luna)
Synopsis: Tells the story of a husband named Hong Dae Young who is on the verge of divorce but finds himself back in his body when he was at the prime of his life 18 years ago. He ends up changing his name to Go Woo Young when he becomes 18- years-old again. Meanwhile, his wife Jung Da Jung joins the workforce as an anchorwoman later on in life after raising their 18-year-old twins.
Director: Ha Byung-hoon (Go Back Couple)
Screenwriter: Kim Do-yeon (The Dramatization Has Already Begun), Ahn Eun-bin, Choi Yi-Ryoon
Cast: Choi Jin-hyuk (Tunnel), Park Joo-hyun (Extracurricular)
Synopsis: The drama is a “human comedy” about a zombie in his second year of resurrection who becomes a detective in pursuit of his past, all the while doing his best to coexist with humans. Choi Jin Hyuk will be playing Kim Moo Young, a handsome zombie with an incredible physique. It’s been two years since he resurrected as a zombie and lost his memory, and after incredible effort to correct his inarticulate speech and awkward gait, he finds a new beginning as a detective. Park Ju Hyun will be taking on the role of Gong Seon Ji, a writer of an investigative journalism program with unrivaled optimism, tenacity, and sense of justice. When a witness of a case she’s investigating is attacked by an unknown assailant, she leaves the industry in shock. She later encounters zombie detective Kim Moo Young and begins working at his office.
Cast: Jung Yoo-mi (Live), Nam Joo-hyuk (Weightlifting Fairy Kim Bok Joo)
Synopsis: An Eun Young is a new nurse teacher at school. She has a special ability to see jelly like monsters that are made from residue of human desire and she can also eradicate these jellies. She uses a toy knife and a BB gun to take out the jellies. She senses that a mysterious event takes place at her school. Hong In Pyo is a Chinese language teacher at the same school. Hong In Pyo has a special energy. In order to protect the students, An Eun Young and Hong In Pyo work together to eradicate these jellies.
Cast: Ong Seong-wu (More Than Eighteen), Shin Ye-eun (He is Pyschometric), Kim Dong-jun (Chief of Staff), Pyo Ji-hoon (Hotel Del Luna), Baek Soo-min (My ID is Gangnam Beauty), Choi Chan-ho (Best Teamwork), Ahn Eun-jin (Kingdom)
Synopsis: Ten years ago, Kyung Woo Yeon was as innocent and carefree as any eighteen year old might be. With dreams and ambitions and a heart ready to love, it was only a matter of time before she fell for someone. And fall she did; for her friend, Lee Soo. Unable to hold her feelings in her heart, she confesses to him before he leaves and gets friend-zoned. Seven years later, she tries her luck again only to be rejected again. She is determined to get over what she considers this curse of not being able to experience love. One lonely day in Jeju, she declares confidently that she no longer likes him and decided to leave him. He too leaves Korea having a heavy pang in his heart. She had tried every trick to get over this curse that she had, having almost 12 ex-boyfriends. Till one day, when she finds a guy, Joon Soo who offers to be her test man and help her determine whether the fault lies in her or the men she has dated. 3 years later, he comes back to find her with another man, and this time he hopes to face his feelings and not let his past overshadow him.
Cast: Choi Shi-won (My Fellow Citizens!), Uee (My Only One), Ahn Se-ha (Queen: Love and War), Kim Han-na (Not Alright, But It's Alright)
Synopsis: In the near future, more than half of the world population uses ‘Love Virtually’, a virtual app. People find the partners they want with whose face they want, using a ‘Love Virtually’ ID, which becomes a general trend. A couple creates their IDs with their faces before plastic surgery and develop their love for each other. On the anniversary of the 100th day of their first meeting through the app, the couple are about to make love, but the app is down. Love Virtually is a rom-com about a couple searching for true love in a world where virtual reality is the norm by mixing the real world and virtual reality. Both in the real world and virtual reality, they meet each other before and after cosmetic surgery; the world’s standards for appearance might be meaningless for people trying to find their other half. The important thing is ‘the apple of my eye’, regardless of the real or virtual world.
Part-time Video EditoGraphic DesigneIllustrator Hourly Rate $20NZD 13.52USD My partner Dev and I come as a team under the name DixieFLix. We are Film School Students in New Zealand studying Post Production and Dev Studied Graphic design last year. We are also both digital illustrators. We are industry level trained in Avid Media Composer Adobe Photoshop, After effects, Premier Pro, and Audition. (CV + Work on request) Email me at [[email protected]](mailto:[email protected]) or send me a message over Reddit
2020.09.19 18:09 inconspicuousalpacaCanadian Premier League Final is Today! Defending Champions Forge FC vs HFX Wanderers FC. Broadcast in 65 Territories by MediaPro. Here's Your Local Broadcast Partner
2020.09.19 17:49 swingerloverFree Love Spells That Work Fast #lovespells
Are you heartbroken and looking for free love spells that really work? If the answer is a resounding yes, you’re in the right place. Here is an all-inclusive guide on love spells that give instant results. Simple love spell https://preview.redd.it/x8lncyztn5i51.jpg?width=111&format=pjpg&auto=webp&s=d51e8afc020f3a42257f5726e622a2bb45e474cf This spell is meant to attract love into your life. You need one red pen, a piece of paper, one red candle, and a handful of pink rose petals. First, light the candle and allow it to burn while focusing on the love of your life. Next, take a paper and draw your wish and what makes you happy. You may also draw the features you’re looking for in this person like black eyes, dark hair and more. While doing this, take place a few drops of melted wax on the picture and repeat out loud. Wiccan love spell The spell is meant to restore peace in your relationship. You need three bay leaves, one green pen, a green candle, one piece of paper, 1 incense stick, a picture of your partner, and one cup of water. To cast the spell, light the candle and draw a large pentagram. Bring your picture and that of your loved one and say `bring peace back in our hearts’. Now place the bay leaves on the picture and say `we’re the purity the heart desires’. After that, bury the paper near a tree for seven days. Once you’re done store the candle and don’t use it. Honey Jar Spell This spell is designed to sweeten the person you love. For this spell to work, you’ll need a jar with metal lid, honey, red ink pen, sugar, parchment, personal items, love oil, white chime candles, targets photo, and love herbs. First, place some rose oil inside the jar. Secondly, dress the target’s photo with the oil. Next, get your parchment or paper and write the full names of your intended person seven times. Turn the paper at 90 degrees and mention the targets name nine times. If you have personal items like (hair, nail clippings, or saliva, place them in the jar too. After that, drop some sugar. The dark brown sugar should be used for people with dark complexions while the white sugar is for those with white complexion. Dress the candle with the oil from top to bottom. Light it and allow the wax to fall on the dressmaker’s pin. Let it burn for seven minutes every day until it’s done. That way your desire will manifest. Full moons magic spell full moon love spell This is an easy spell for beginners. It’s supposed to call love into your life during a full moon. You need one moonstone, a piece of paper, and one red pen or pencil. Write your desire on the piece of paper. Fold it and take a moonstone. On the night of full moon, hold the paper with your left hand and say your wish out loud. For example, I want a generous person or I want to call a new lover into my life. Let’s cut to the chase: the above love spells have the potential to solve any relationship issues. Whether you’re looking for true love or you need to get back your lost love, these spells will give you instant results. This is an ultimate free love spells page. Want Izabael To Cast a Spell For You? Visit My Magick Spell Shop https://preview.redd.it/mo2e2ek1o5i51.jpg?width=314&format=pjpg&auto=webp&s=d3a92062ac2418054fed275102cc00770d514ea6 Magic Spells by Izabael DaJinn The World’s Premiere Spell-casting Genie ***Successful Spells Cast since 2007 *** originally posted at: https://occultmagickbook.com/free-love-spells-that-work-fast/
2020.09.19 17:29 tombstoneshadows28Turner Classic Movies (U.S.) Schedule for October, 2020 (All times E.S.T.)
Thursday, October 01, 2020 (12:00 AM) (drama) Up The Down Staircase (1967/124 m/Robert Mulligan) (2:15 AM) (comedy) Our Miss Brooks (1956/85 m/Al Lewis) (4:00 AM) (drama)The Corn Is Green (1945/114 m/Irving Rapper) (6:00 AM) (comedy) Girl He Left Behind (1956/103 m/David Butler) (8:00 AM) (war) Lafayette Escadrille (1958/93 m/William A. Wellman) (9:45 AM) (comedy) Dondi (1961/100 m/Albert Zugsmith) ' (11:30 AM) (epic) The Shoes of the Fisherman (1968/162 m/Michael Anderson) (2:15 PM) (crime) Ring of Fire (1961/91 m/Andrew L. Stone) (4:00 PM) (suspense) Twenty Plus Two (1961/103 m/Joseph M. Newman) (5:45 PM) (horror) Marooned (1969/129 m/John Sturges) (8:00 PM) (drama) La Strada (1954/108 m/Federico Fellini) (10:00 PM) (romance) Two for the Road (1967/111 m/Stanley Donen) Friday, October 02, 2020 (12:00 AM) (romance) Dodsworth (1936/101 m/William Wyler) (2:00 AM) (documentary) The Memphis Belle: A Story of a Flying Fortress (1944/40 m/Lt. Col. William Wyler) (3:00 AM) (drama) Black Girl (1966/60 m/Ousmane Sembene) (4:15 AM) (drama) The Music Room (1958/99 m/Satyajit Ray) (6:00 AM) (comedy) Go West (1940/80 m/Edward Buzzell) (7:45 AM) (comedy) The Big Store (1941/83 m/Charles Riesner) (9:30 AM) (comedy) Double Dynamite (1951/81 m/Irving Cummings) (11:00 AM) (comedy) Girl In Every Port (1952/86 m/Chester Erskine) (12:30 PM) (comedy) A Day at the Races (1937/109 m/Sam Wood) (2:30 PM) (comedy) At the Circus (1939/87 m/Edward Buzzell) (4:15 PM) (comedy) A Night at the Opera (1935/91 m/Sam Wood) (6:00 PM) (epic) The Story of Mankind (1957/100 m/Irwin Allen) (8:00 PM) (horror) Dracula (1931/74m/Tod Browning) (9:30 PM) (suspense) Cat People (1942/73 m/Jacques Tourneur) (11:00 PM) (horror) House on Haunted Hill (1958/75 m/William Castle) Saturday, October 03, 2020 (12:30 AM) (horror) The Haunting (1963/112 m/Robert Wise) (3:45 AM) (premiere) Wigstock: The Movie (1995/85 m/Barry Shils) (5:15 AM) (short) The Relaxed Wife (1957/13 m/?) (5:15 AM) (short) Time Out for Trouble (1961/19m/David S. Glidden) (6:00 AM) (comedy) Million Dollar Baby (1941/101 m/Curtis Bernhardt) (8:00 AM) (premiere) MGM CARTOONS: The Peachy Cobbler (1950/7 m/Fred (Tex) Avery) (8:08 AM) (short) Phonies Beware! (1956/8 m/Larry O'Reilly) (8:17 AM) (short) Night Life in Chicago (1948/9 m/?) (8:27 AM) (premiere) Arctic Fury (1949/61 m/Norman Dawn) (9:30 AM) (premiere) THE WILD WEST DAYS: Redskins’ Revenge (1937/?/?) (10:00 AM) (premiere) POPEYE: Baby Wants a Bottleship (1942/7 m/Dave Fleischer) (10:08 AM) (adventure) Safari Drums (1953/71 m/Ford Beebe) (11:30 AM) (documentary) Alaska Lifeboat (1956/21 m/Herbert Morgan) (12:00 PM) (drama) The Prince and the Pauper (1937/118 m/William Keighley) (2:15 PM) (crime) Key Largo (1948/100 m/John Huston) (4:15 PM) The Defiant Ones (1958/96 m/Stanley Kramer) (6:00 PM) (romance) The Thomas Crown Affair (1968/102 m/Norman Jewison) (8:00 PM) (epic) Lawrence of Arabia (1962/227 m/David Lean) Sunday, October 04, 2020 (12:00 AM) (crime) Where the Sidewalk Ends (1950/95 m/Otto Preminger) (2:00 AM) (western) Across the Wide Missouri (1951/78 m/William Wellman) (3:30 AM) (musical) On An Island With You (1948/108 m/Richard Thorpe) (5:30 AM) (short) Inflation (1942/17 m/Cy Endfield) (6:00 AM) (romance) The Last of Mrs. Cheyney (1937/98 m/Richard Boleslawski) (7:45 AM) (romance) Humoresque (1946/124 m/Jean Negulesco) (10:00 AM) (crime) Where the Sidewalk Ends (1950/95 m/Otto Preminger) (12:00 PM) (comedy) Mr. Belvedere Goes to College (1949/83 m/Elliott Nugent) (1:30 PM) (comedy) The Women (1939/133 m/George Cukor) (4:00 PM) (musical) Bye Bye Birdie (1963/112 m/George Sidney) (6:00 PM) (documentary) The Great Buster: A Celebration (2018/101 m/Peter Bogdanovich) (8:00 PM) (silent) Sherlock Jr. (1924/46 m/Buster Keaton) (9:00 PM) (silent) The General (1927/79 m/Buster Keaton) (10:30 PM) (silent) Steamboat Bill Jr. (1928/71 m/Charles F. Reisner) Monday, October 05, 2020 (12:00 AM) (silent) Seven Chances (1925/57 m/Buster Keaton) (2:00 AM) (drama) Viridiana (1961/91 m/Luis Buñuel) (3:45 AM) (drama) The Exterminating Angel (1962/92 m/Luis Buñuel) (5:30 AM) (documentary) MGM Parade Show #5 (1955/26 m/?) (6:00 AM) (musical) Roberta (1935/106 m/William A. Seiter) (8:00 AM) (musical) Fashions of 1934 (1934/78 m/William Dieterle) (9:30 AM) (drama) Stolen Holiday (1937/80 m/Michael Curtiz) (11:00 AM) (comedy) Designing Woman (1957/118 m/Vincente Minnelli) (1:00 PM) (comedy) Made in Paris (1966/103 m/Boris Sagal) (2:45 PM) (romance) A Place for Lovers (1969/88 m/Vittorio De Sica) (4:30 PM) (horror) Blood and Black Lace (1964/88 m/Mario Bava) (6:00 PM) (suspense) Lured (1947/103 m/Douglas Sirk) (8:00 PM) (crime) Cash on Demand (1961/80 min/Quentin Lawrence) (9:30 PM) (romance) The End of the Affair (1955/106 m/Edward Dmytryk) (11:30 PM) (crime) Time Without Pity (1957/85 m/Joseph Losey) Tuesday, October 06, 2020 (1:15 AM) (adventure) John Paul Jones (1959/126 m/John Farrow) (3:30 AM) (drama) Hamlet (1948/154 m/Laurence Olivier) (6:15 AM) (comedy) A Chump at Oxford (1940/63 m/Alfred Goulding) (7:30 AM) (drama) Vigil in the Night (1940/102 m/George Stevens) (9:15 AM) (comedy) The Gay Bride (1934/80 m/Jack Conway) (10:45 AM) (musical) Swing High, Swing Low (1937/83 m/Mitchell Leisen) (12:15 PM) (comedy) Love Before Breakfast (1936/70 m/Walter Lang) (1:30 PM) (comedy) Nothing Sacred (1937/74 m/William A. Wellman) (3:00 PM) (comedy) Mr. and Mrs. Smith (1941/95 m/Alfred Hitchcock) (4:45 PM) (comedy) To Be or Not to Be (1942/99 m/Ernst Lubitsch) (6:30 PM) (documentary) The Golden Age of Comedy (1957/79 m/various) (8:00 PM) (premiere) Women Make Film: A New Road Movie Through Cinema (episode 6) (2019/60 m/Mark Cousins) (9:15 PM) (drama) The Ascent (1977/109 m/Larisa Sheptiko) (11:15 PM) (documentary) Women Make Film: A New Road Movie Through Cinema (episode 6) (2019/60 m/Mark Cousins) Wednesday, October 07, 2020 (12:30 AM) Meek's Cutoff (2010/104 m/Kelly Reichardt) (2:30 AM) (premiere) Cameraperson (2016/103 m/Kirsten Johnson) (4:30 AM) (comedy) Daisies (1966/76 m/Vera Chytilová) (9:15 AM) (drama) The Journey (1959/126 m/Anatole Litvak) (11:30 AM) (drama) The Squall (1929/102 mAlexander Korda) (1:30 PM) (short) Beautiful Budapest (1938/9 m/?) (1:45 PM) (short) Rural Hungary (1939/9 m/James A. FitzPatrick) (2:00 PM) (drama) Fight For Your Lady (1938/66 m/Ben Stoloff) (3:15 PM) (drama) Storm at Daybreak (1933/79 m/Richard Boleslavsky) (4:45 PM) (romance) The Shop Around the Corner (1940/99 m/Ernst Lubitsch) (6:30 PM) (musical) One Heavenly Night (1930/80 m/Geo. Fitzmaurice) (8:00 PM) (comedy) No Time For Sergeants (1958/119 m/Mervyn LeRoy) (10:15 PM) (drama) A Face in the Crowd (1957/126 m/Elia Kazan) Thursday, October 08, 2020 (12:30 AM) (western) Hearts of the West (1975/102 m/Howard Zieff) (2:30 AM) (comedy) Onionhead (1958/110 m/Norman Taurog) (4:30 AM) (comedy) Thunder Afloat (1939/95 m/George B. Seitz) (6:15 AM) (crime) The Public Enemy (1931/84 m/William A. Wellman) (8:15 AM) (romance) Red-Headed Woman (1932/79 m/Jack Conway) (9:45 AM) (comedy) Dinner at Eight (1933/111 m/George Cukor) (11:45 AM) (comedy) Saratoga (1937/92 m/Jack Conway) (1:30 PM) (romance) Hold Your Man (1933/87 m/Sam Wood) (3:15 PM) (romance) Red Dust (1932/83 m/Victor Fleming) (4:45 PM) (comedy) Personal Property (1937/84 m/W. S. Van Dyke II) (6:15 PM) (comedy) Bombshell (1933/96 m/Victor Fleming) (8:00 PM) (comedy) The Front Page (1931/101 m/Lewis Milestone) (10:00 PM) (suspense) Detour (1945/68 m/Edgar G. Ulmer) (11:30 PM) (drama) The Man with the Golden Arm (1956/119m/Otto Preminger) Friday, October 09, 2020 (1:45 AM) (romance) Love Affair (1939/88 m/Leo McCarey) (3:30 AM) (crime) A Brighter Summer Day (1991/237 m/Edward Yang) (7:00 AM) (short) Alice in Movieland (1940/22 m/Jean Negulesco) (7:45 AM) (drama) Nora Prentiss (1947/111 m/Vincent Sherman) (9:45 AM) (crime) Born to Kill (1947/92 m/Robert Wise) (11:30 AM) (drama) Dark Passage (1947/106 m/Delmer Daves) (1:30 PM) (suspense) Out of the Past (1947/97 m/Jacques Tourneur) (3:15 PM) (crime) Race Street (1948/79 m/Edwin L. Marin) (4:45 PM) (suspense) Impact (1949/111 m/Arthur Lubin) (6:45 PM) (suspense) The Woman On Pier 13 (1950/73 m/Robert Stevenson) 8:00 PM) (horror) The Ghoul (1933/81 m/T. Hayes Hunter) (9:30 PM) (horror) The Black Sleep (1956/82 m/Reginald LeBorg) (11:00 PM) (horror) Mark of the Vampire (1935/60 m/Tod Browning) Saturday, October 10, 2020 (12:15 AM) (horror) Night of the Living Dead (1968/96 m/George A. Romero) (2:00 AM) (adventure) White Lightning (1973/101 m/Joseph Sargent) (3:45 AM) (drama) Gator (1976/116 m/Burt Reynolds) (5:45 AM) (short) The Corvair in Action! (1960/6 m/?) (6:00 AM) (musical) The Opposite Sex (1956/116 m/David Miller) (8:00 AM) (premiere) MGM Cartoons: Red Hot Riding Hood (1943/7 m/Fred (Tex) Avery) (8:09 AM) (short) Fortune Seekers (1956/8 m/Larry O'Reilly) (8:18 AM) (documentary) Historic Maryland (1941/8 m/?) (8:27 AM) (drama) Men of the North (1930/61 m/Hal Roach) (9:30 AM) (premiere) THE WILD WEST DAYS: Brink of Doom (1937/?/?) (10:00 AM) (premiere) POPEYE: Alona the Sarong Seas (1942/7 m/Dave Fleischer) (10:08 AM) (premiere) The Golden Idol (1954/71 m/Ford Beebe)\ (11:30 AM) (comedy) King Of The Islands (1935/17 m/Ralph Staub) . (12:00 PM) (adventure) Tarzan The Ape Man (1932/100 m/W. S. Van Dyke II) (2:00 PM) (musical) Lili (1953/81 m/Charles Walters) (3:30 PM) (comedy) Casino Royale (1967/131 m/John Huston, et. al.) (6:00 PM) (musical) Top Hat (1935/100 m/Mark Sandrich) (8:00 PM) (adventure) Gunga Din (1939/117 m/George Stevens) (10:15 PM) (adventure) The Three Musketeers (1948/126 m/George Sidney) Sunday, October 11, 2020 (12:30 AM) (crime) The Racket (1951/89 m/John Cromwell) (2:30 AM) (comedy) Bananas (1971/82 m/Woody Allen) (4:00 AM) (comedy) Hannah and Her Sisters (1986/107 m/Woody Allen) (6:00 AM) (comedy) A Midsummer Night's Dream (1935/143 m/Max Reinhardt) (8:30 AM) (drama) Journey For Margaret (1942/81 m/Major W. S. Van Dyke II) (10:00 AM) (crime) The Racket (1951/89 m/John Cromwell) (12:00 PM) (drama) Sounder (1972/105 m/Martin Ritt) (2:00 PM) (drama) The Secret Garden (1949/92 m/Fred M. Wilcox) (3:45 PM) (drama) The Catered Affair (1956/94 m/Richard Brooks) (5:30 PM) (musical) Flower Drum Song (1961/131 m/Henry Koster) (8:00 PM) (comedy) The Front Page (1974/105 m/Billy Wilder) (10:00 PM) (comedy) The Fortune Cookie (1966/126 m/Billy Wilder) Monday, October 12, 2020 (12:15 AM) (comedy) Sidewalk Stories (1989/99 m/Charles Lane) (2:15 AM) (comedy) The Firemen's Ball (1967/73 m/Milos Forman) (3:45 AM) (premiere) All My Good Countrymen (1968/126 m/Vojtěch Jasný) (6:00 AM) (horror) The Reptile (1966/90 m/John Gilling) (7:45 AM) (horror) The Killer Shrews (1959/68 m/Ray Kellogg) (9:00 AM) (horror) King Kong (1933/104 m/Merian C. Cooper) (11:00 AM) (horror) The Beast From 20,000 Fathoms (1953/80 m/Eugene Lourié) (12:30 PM) (horror) Gojira (1954/96 m/Ishiro Honda) (2:00 PM) (horror) Creature from the Black Lagoon (1954/79 m/Jack Arnold) (3:30 PM) (horror) Creature from the Haunted Sea (1961/59 m/Roger Corman) (4:45 PM) (horror) The Green Slime (1969/90 m/Kinji Fukasaku) (6:30 PM) (horror) Night of the Lepus (1972/88 m/William F. Claxton) (8:00 PM) (adventure) Sword of Sherwood Forest (1960/80 m/Terence Fisher) (11:00 PM) (horror) Daleks - Invasion Earth 2150 A.D. (1966/81 m/Gordon Flemyng) Tuesday, October 13, 2020 (12:30 AM) (adventure) She (1965/106 m/Robert Day) (2:30 AM) (crime) Violent Playground (1958/106 m/Basil Dearden) (4:30 AM) (premiere) In Saigon: Some May Live (1967/89 m/Vernon Sewell) (6:00 AM) (drama) Devotion (1931/81 m/Robert Milton) (7:30 AM) (comedy) The Runaway Bus (1954/74 m/Val Guest) (9:00 AM) (crime) The Solitaire Man (1933/67 m/Jack Conway) (10:30 AM) (suspense) Blind Adventure (1933/63 m/Ernest B. Schoedsack) (11:45 AM) (musical) Double Trouble (1967/92 m/Norman Taurog) (1:30 PM) (romance) A Warm December (1972/101 m/Sidney Poitier) (3:30 PM) (drama) The V.I.P.S (1963/119 m/Anthony Asquith) (5:45 PM) (comedy) The Prince and the Showgirl (1957/117 m/Laurence Olivier) (8:00 PM) (premiere) Women Make Film: A New Road Movie Through Cinema (episode 7) (2019/60 m/Mark Cousins) (11:00 PM) (documentary) Women Make Film: A New Road Movie Through Cinema (episode 7) (2019/60 m/Mark Cousins) Wednesday, October 14, 2020 (2:00 AM) (documentary) The House Is Black (1963/22 m/?) (2:30 AM) (romance) First Love (1977/91 m/Joan Darling) (4:15 AM) (drama) The Night Porter (1974/118 m/Liliana Cavani) (6:30 AM) (drama) Le Bonheur (1965/80 m/Agnes Varda) (10:15 AM) (silent) The Unholy Three (1925/86 m/Tod Browning) (12:00 PM) (silent) The Unknown (1927/49 m/Tod Browning) (1:00 PM) (silent) The Blackbird (1926/86 m/Tod Browning) (2:30 PM) (horror) The Thirteenth Chair (1929/73 m/Tod Browning) (4:00 PM) (horror) Freaks (1932/62 m/Tod Browning) (5:15 PM) (horror) Mark of the Vampire (1935/60 m/Tod Browning) (6:30 PM) (horror) The Devil-Doll (1936/78 m/Tod Browning) (8:00 PM) (drama) Abe Lincoln in Illinois (1940/110 m/John Cromwell) (10:00 PM) (drama) Sunrise at Campobello (1960/144 m/Vincent J. Donehue) Thursday, October 15, 2020 (12:45 AM) (drama) Wilson (1944/154 m/Henry King) (3:30 AM) (war) PT 109 (1963/140 m/Leslie H. Martinson) . (6:00 AM) (comedy) Three Men on a Horse (1936/86 m/Mervyn LeRoy) (7:30 AM) (crime) Unholy Partners (1941/94 m/Mervyn LeRoy) (9:15 AM) (musical) Sweet Adeline (1935/88 m/Mervyn Le Roy) (11:00 AM) (comedy) Happiness Ahead (1934/86 m/Mervyn Le Roy) (12:30 PM) (drama) Big City Blues (1932/63 m/Mervyn LeRoy) (1:45 PM) (suspense) The Bad Seed (1956/129 m/Mervyn LeRoy) (4:00 PM) (drama) They Won't Forget (1937/95 m/Mervyn LeRoy) (5:45 PM) (romance) Random Harvest (1942/126 m/Mervyn LeRoy) (8:00 PM) (war) Tunes of Glory (1960/107 m/Ronald Neame) (10:00 PM) (war) The Life and Death of Colonel Blimp (1943/164 m/Michael Powell) Friday, October 16, 2020 (1:00 AM) (war) The Seventh Cross (1944/112 m/Fred Zinnemann) (3:00 AM) (drama) The Diary of Anne Frank (1959/180 m/George Stevens) (6:15 AM) (documentary) Trances (1981/89 m/Ahmed El Maanouni) (8:00 AM) (comedy) Little Shop of Horrors (1960/72 m/Roger Corman) (9:15 AM) (horror) Village of the Damned (1960/77 m/Wolf Rilla) (10:45 AM) (horror) The Brain That Wouldn't Die (1962/82 m/Joseph Green) (12:15 PM) (horror) Carnival of Souls (1962/78 m/Herk Harvey) (1:45 PM) (horror) Dementia 13 (1963/75 m/Francis Ford Coppola) (3:15 PM) (horror) The Raven (1963/86 m/Roger Corman) (4:45 PM) (horror) Spider Baby (1964/84 m/Jack Hill) (6:15 PM) (horror) The Nanny (1965/93 m/Seth Holt) (8:00 PM) (horror) Dead of Night (1945/103 m/Alberto Cavalcanti, Basil Dearden, Robert Hamer, Charles Crichton) (10:00 PM) (horror) Twice-Told Tales (1963/120 m/Sidney Salkow) Saturday, October 17, 2020 (12:15 AM) (horror) Black Sabbath (1963/96 m/Mario Bava) (2:00 AM) (premiere) Enter the Ninja (1981/99 m/Menahem Golan) (3:45 AM) (premiere) Revenge of the Ninja (1983/?/Sam Firstenberg) (5:30 AM) (short) Shake Hands With Danger (1970/23 m/?) (6:00 AM) (war) The Password Is Courage (1962/115 m/Andrew L. Stone) (8:00 AM) MGM CARTOONS: Sheep Wrecked (1958/6 m/Michael Lah) (8:08 AM) (documentary) Cave Explorers (1957/8 m/Heinz Scheiderbauer) (8:17 AM) (short) The Capital City Washington, D.C. (1940/9 m/?) (8:27 AM) (drama) She Loved A Fireman (1937/58 m/John Farrow) (9:30 AM) (premiere) The WILD WEST DAYS: Indians Are Coming (1937/?/?) (10:00 AM) (premiere) POPEYE: A Hull of a Mess (1942/6 m/Dave Fleischer) (10:08 AM) (adventure) Lord of the Jungle (1955/69 m/Ford Beebe) (11:30 AM) (short) Kissing Time (1933/22 m/Roy Mack) (12:00 PM) (western) Angel And The Badman (1947/100 m/James Edward Grant) (1:45 PM) (adventure) Captain Horatio Hornblower (1951/117 m/Raoul Walsh) (4:00 PM) (comedy) Support Your Local Sheriff! (1969/93 m/Burt Kennedy) (5:45 PM) (horror) Rollerball (1975/125 m/Norman Jewison) (8:00 PM) (musical) Singin' in the Rain (1952/103 m/Gene Kelly) (10:00 PM) (musical) Summer Stock (1950/109 m/Charles Walters) Sunday, October 18, 2020 (12:00 AM) (crime) Destination Murder (1950/73 m/Edward L. Cahn) (1:45 AM) (comedy) The Fearless Vampire Killers or Pardon Me, But Your Teeth Are in My Neck (1966/107 m/Roman Polanski) (3:45 AM) (horror) House of Dark Shadows (1970/97 m/Dan Curtis) (5:30 AM) (short) Return to Glennascaul (1953/24 m/Hilton Edwards) (6:00 AM) (drama) The Life of Emile Zola (1937/116 m/William Dieterle) (8:15 AM) (comedy) His Girl Friday (1940/92 m/Howard Hawks) (10:00 AM) (crime) Destination Murder (1950/73 m/Edward L. Cahn) (11:45 AM) (epic) The Good Earth (1937/138 m/Sidney Franklin) (2:15 PM) (drama) Written on the Wind (1957/99 m/Douglas Sirk) (4:00 PM) (romance) Dear Heart (1964/114 m/Delbert Mann) (6:00 PM) (comedy) Peggy Sue Got Married (1986/105 m/Francis Ford Coppola) (10:00 PM) (comedy) Losing Ground (1982/86 m/Kathleen Collins) Monday, October 19, 2020 (12:00 AM) (silent) Exit Smiling (1926/77 m/Sam Taylor) (2:00 AM) (premiere) I Am Waiting (1957/91 m/Koreyoshi Kurahara) (3:45 AM) (premiere) A Colt Is My Passport (1967/84 m/Takashi Nomura) . (5:30 AM) (documentary) MGM Parade Show #5 (1955/26 m/?) (6:00 AM) (comedy) I Married a Witch (1942/77 m/René Clair) (7:30 AM) (comedy) Mr. and Mrs. Smith (1941/95 m/Alfred Hitchcock) (9:15 AM) (crime) Touch of Evil (1958/111 m/Orson Welles) (11:30 AM) (adventure) Mogambo (1953/116 m/John Ford) (1:45 PM) (suspense) North by Northwest (1959/136 m/Alfred Hitchcock) (4:15 PM) (drama) In A Lonely Place (1950/93 m/Nicholas Ray) (6:00 PM) (war) Any Number Can Play (1949/103 m/Mervyn LeRoy) (8:00 PM) (suspense) The Hound of the Baskervilles (1959/87 m/Terence Fisher) (9:30 PM) (horror) Horror of Dracula (1958/81 m/Terence Fisher) (11:15 PM) (horror) The Mummy (1959/88 m/Terence Fisher) (1:00 AM) (horror) The Curse of Frankenstein (1957/83 min/Terence Fisher) (2:45 AM) (horror) Frankenstein Created Woman (1967/92 min/Terence Fisher) (4:30 AM) (horror) Frankenstein Must Be Destroyed! (1970/101 m/Terence Fisher) Tuesday, October 20, 2020 (6:15 AM) (comedy) Front Page Woman (1935/82 m/Michael Curtiz) (7:45 AM) (romance) Wife Vs. Secretary (1936/88 m/Clarence Brown) (9:30 AM) (suspense) Mr. And Mrs. North (1941/67 m/Robert B. Sinclair) (10:45 AM) (comedy) Theodora Goes Wild (1936/94 m/Richard Boleslawski) (12:30 PM) (comedy) Breakfast for Two (1937/68 m/Alfred Santell) (1:45 PM) (comedy) Four's A Crowd (1938/92 m/Michael Curtiz) (3:30 PM) (comedy) It's A Wonderful World (1939/86 m/W. S. Van Dyke II) (5:00 PM) (comedy) Fools For Scandal (1938/80 m/Mervyn Le Roy) (6:30 PM) (romance) Love on the Run (1936/80 m/W. S. Van Dyke) (8:00 PM) (premiere) Women Make Film: A New Road Movie Through Cinema (episode 8) (2019/60 min/Mark Cousins) (10:45 PM) (documentary) Women Make Film: A New Road Movie Through Cinema (episode 8) (2019/60 m/Mark Cousins) Wednesday, October 21, 2020 (2:00 AM) (premiere) The Third Miracle (1999/119 m/Agnieszka Holland) (7:45 AM) (short) The Birth, the Life and the Death of Christ (1906/34 m/Alice Guy-Blache) (8:30 AM) (documentary) Araya (1959/83 m/Margot Benacerraf) (10:00 AM) (drama) Children of a Lesser God (1986/119 m/Randa Haines) (12:15 PM) (drama) Young Dr. Kildare (1938/82 m/Harold S. Bucquet) (1:45 PM) (drama) Calling Dr. Kildare (1939/86 m/Harold S. Bucquet) (3:30 PM) (drama) The Secret of Dr. Kildare (1939/84 m/Harold S. Bucquet) (5:00 PM) (drama) Dr. Kildare Goes Home (1940/79 m/Harold S. Bucquet) (6:30 PM) (drama) Dr. Kildare's Crisis (1940/75 m/Harold S. Bucquet) (8:00 PM) (comedy) Hard To Handle (1933/78 m/Mervyn Le Roy) (9:30 PM) (crime) The Beast of the City (1932/86 m/Charles Brabin) (11:15 PM) (drama) One Way Passage (1932/67 m/Tay Garnett) Thursday, October 22, 2020 (12:45 AM) (crime) They Live By Night (1948/95 m/Nicolas Ray) (2:30 AM) (adventure) The Prisoner of Zenda (1952/100 m/Richard Thorpe) (4:15 AM) (adventure) Green Fire (1955/100 m/Andrew Marton) (6:00 AM) (adventure) Three Faces East (1930/71 m/Roy Del Ruth) (7:30 AM) (drama) Born to Love (1932/81 m/Paul L. Stein) (9:00 AM) (drama) The Common Law (1932/74 m/Paul L. Stein) (10:30 AM) (drama) Rockabye (1932/68 m/George Cukor) (11:45 AM) (drama) Bed of Roses (1933/ 67 /Gregory LaCava) (1:00 PM) (drama) Our Betters (1933/83 m/George Cukor) (2:30 PM) (comedy) Topper (1937/97 m/Norman Z. McLeod) (4:15 PM) (comedy) Topper Takes a Trip (1939/80 m/Norman Z. McLeod) (5:45 PM) (comedy) Merrily We Live (1938/95 m/Norman Z. McLeod) (7:30 PM) (documentary) MGM Parade Show #5 (1955/26 m/?) (8:00 PM) (crime) The Killers (1964/93 m/Donald Siegel) (9:45 PM) (drama) The Breaking Point (1950/97 m/Michael Curtiz) (11:30 PM) (horror) The Mystery Of The Wax Museum (1933/77 m/Michael Curtiz) Friday, October 23, 2020 (1:00 AM) (horror) Night of the Living Dead (1968/96 m/George A. Romero) (3:00 AM) (premiere) A River Called Titas (1973/158 m/Ritwik Ghatak) (6:00 AM) (drama) Inside Straight (1951/87 m/Gerald Mayer) (7:30 AM) (crime) Absolute Quiet (1936/70 m/George B. Seitz) (8:45 AM) (drama) Chain Lightning (1950/95 m/Stuart Heisler) (10:30 AM) (adventure) Tycoon (1947/129 m/Richard Wallace) (12:45 PM) (drama) No Marriage Ties (1933/72 m/J. Walter Ruben) (2:00 PM) (drama) Death of a Scoundrel (1956/120 m/Charles Martin) (4:15 PM) (crime) Assignment To Kill (1968/99 m/Sheldon Reynolds) (6:00 PM) (suspense) The Drowning Pool (1975/108 m/Stuart Rosenberg) (8:00 PM) (horror) Pit and the Pendulum (1961/80 m/Roger Corman) (9:45 PM) (horror) Spirits of the Dead (1968/121 m/Federico Fellini, Louis Malle, Roger Vadim) Saturday, October 24, 2020 (12:00 AM) (horror) Murders In The Rue Morgue (1971/98 m/Gordon Hessler) (2:00 AM) (premiere) Ninja III: The Domination (1984/95 m/Sam Firstenberg) (3:45 AM) (drama) Heavenly Bodies (1985/89 m/Lawrence Dane) (5:30 AM) (short) Keep Off The Grass (1969/21 m/?) (6:00 AM) (comedy) Please Don't Eat the Daisies (1960/111 m/Charles Walters) (8:00 AM) (premiere) MGM CARTOONS: One Cab's Family (1938/8 m/Fred (Tex) Avery) (8:09 AM) (documentary) Black Cats and Broomsticks (1955/8 m/Larry O'Reilly) (8:18 AM) (short) Wandering Here and There (1944/9 m/James A. FitzPatrick) (8:28 AM) (romance) King Of The Lumberjacks (1940/59 m/William Clemens) (9:30 AM) (premiere) THE WILD WEST DAYS: Leap For Life (1937/?/?) (10:00 AM) (premiere) POPEYE: Cartoons Ain’t Human (1943/7 m/Dave Fleischer) (10:09 AM) (adventure) Tarzan And The Amazons (1945/76 m/Kurt Neumann) (11:30 AM) (short) The Flame Song (1934/22 m/Joseph Henabery) (12:00 PM) (suspense) Harper (1966/121 m/Jack Smight) (2:15 PM) (horror) Brainstorm (1983/106 m/Douglas Trumbull) (4:15 PM) (war) Men Of The Fighting Lady (1954/80 m/Andrew Marton) (5:45 PM) (drama) Citizen Kane (1941/119 m/Orson Welles) (8:00 PM) (drama) Ace in the Hole (1951/111m/Billy Wilder) (10:15 PM) (premiere) Flesh and Fury (1952/83 m/Joseph Pevney) Sunday, October 25, 2020 (12:00 AM) (adventure) Macao (1952/81 m/Josef von Sternberg) (1:45 AM) (horror) The Werewolf (1956/80 m/Fred F. Sears) (3:15 AM) (premiere) The Howling (1981/91 m/Joe Dante) (5:00 AM) (horror) The Mummy (1932/73 m/Karl Freund) (6:15 AM) (suspense) Murder on the Blackboard (1934/72 m/George Archainbaud) (7:30 AM) (romance) All This, and Heaven Too (1940/143 m/Anatole Litvak) (10:00 AM) (adventure) Macao (1952/81 m/Josef von Sternberg) (12:00 PM) (romance) The White Cliffs Of Dover (1944/126 m/Clarence Brown) (2:15 PM) (epic) Around the World in 80 Days (1956/182 m/Michael Anderson) (5:30 PM) (horror) What Ever Happened to Baby Jane? (1962/134 m/Robert Aldrich) (8:00 PM) (western) 3:10 to Yuma (1957/92 m/Delmer Daves) (10:00 PM) (western) Gunman's Walk (1958/95 m/Phil Karlson) Monday, October 26, 2020 (12:00 AM) (silent) Haxan: Witchcraft Through the Ages (1922/107 m/Benjamin Christensen) (2:00 AM) (suspense) Diabolique (1955/117 m/Henri-Georges Clouzot) (4:15 AM) (horror) Eyes Without a Face (1959/90 m/Georges Franju) (6:00 AM) (suspense) The Beast with Five Fingers (1946/88 m/Robert Florey) (7:45 AM) (adventure) Mara Maru (1952/98 m/Gordon Douglas) (9:30 AM) (drama) They Won't Believe Me (1947/80 m/Irving Pichel) (11:15 AM) (suspense) Where Danger Lives (1950/80 m/John Farrow) (1:00 PM) (suspense) Fingers at the Window (1942/81 m/Charles Lederer) (2:30 PM) (suspense) Footsteps in the Dark (1941/96 m/Lloyd Bacon) (4:15 PM) (suspense) Kill or Cure (1962/88 m/George Pollock) (6:00 PM) (comedy) The Gazebo (1960/102m/George Marshall) (8:00 PM) (horror) Nothing But the Night (1972/91 m/Peter Sasdy) (9:45 PM) (horror) Madhouse (1974/91 m/James Clark) (11:30 PM) (horror) From Beyond the Grave (1973/98 m/Kevin Connor) Tuesday, October 27, 2020 (1:30 AM) (horror) Scream and Scream Again (1970/95 m/Gordon Hessler) (3:15 AM) (premiere) The Satanic Rites of Dracula (1973/88 m/Alan Gibson) (4:45 AM) (horror) Dracula A.D. 1972 (1972/96 m/Alan Gibson) (6:30 AM) (western) Somewhere In Sonora (1933/58 m/Mack V. Wright) (7:45 AM) (western) Along the Rio Grande (1941/64 m/Edward Killy) (9:00 AM) (western) Valley of the Sun (1942/78 m/George Marshall) (10:30 AM) (western) Sagebrush Trail (1933/53 m/Armand Schaefer) (11:30 AM) (western) Devil's Canyon (1953/92 m/Alfred Werker) (1:15 PM) (western) The Hired Gun (1957/64 m/Ray Nazarro) (2:30 PM) (premiere) Black Patch (1957/82 m/Allen H. Miner) (4:00 PM) (western) Virginia City (1940/121 m/Michael Curtiz) (6:15 PM) (western) Escape From Fort Bravo (1953/98 m/John Sturges) (8:00 PM) (premiere) Women Make Film: A New Road Movie Through Cinema (episode 9) (2019/60 m/Mark Cousins) (11:00 PM) (documentary) Women Make Film: A New Road Movie Through Cinema (episode 9) (2019/60 m/Mark Cousins) Wednesday, October 28, 2020 (12:15 AM) (comedy) Girlfriends (1978/88 m/Claudia Weill) (2:00 AM) (drama) The Connection (1962/103 m/Shirley Clarke) (4:00 AM) (comedy) Lost In Yonkers (1993/114 m/Martha Coolidge) (10:00 AM) (drama) Winter Meeting (1948/104 m/Bretaigne Windust) (12:00 PM) (romance) I Know Where I'm Going (1945/92 m/Michael Powell) (1:45 PM) (romance) The Enchanted Cottage (1945/92 m/John Cromwell) (3:30 PM) (romance) Random Harvest (1942/126 m/Mervyn LeRoy) (6:00 PM) (romance) Desire Me (1947/91 m/George Cukor) (8:00 PM) (drama) The Best Man (1964/102 m/Franklin J. Schaffner) (10:00 PM) (drama) State of the Union (1948/123 m/Frank Capra) Thursday, October 29, 2020 (12:15 AM) (comedy) The Great McGinty (1940/82 m/Preston Sturges) (2:00 AM) (drama) The Candidate (1972/110 m/Michael Ritchie) (4:00 AM) (drama) All the King's Men (1949/110 m/Robert Rossen) (6:00 AM) (western) Haunted Gold (1932/58 m/Mack V. Wright) (7:00 AM) (horror) The Devil-Doll (1936/78 m/Tod Browning) (8:30 AM) (suspense) Before Dawn (1933/61 m/Irving Pichel) (9:45 AM) (comedy) Man Alive (1946/70 m/Ray Enright) (11:00 AM) (horror) Tormented (1960/75 m/Bert I. Gordon) (12:30 PM) (adventure) Angel on My Shoulder (1946/101 m/Archie Mayo) (2:15 PM) (horror) Night Of Dark Shadows (1971/94 m/Dan Curtis) (4:00 PM) (horror) Indestructible Man (1956/71 m/Jack Pollexfen) (5:15 PM) (horror) From Hell It Came (1957/71 m/Johnny Greenwald) (6:30 PM) (horror) Death Curse of Tartu (1966/88 m/William Grefé) (8:00 PM) (western) Winchester '73 (1950/92 m/Anthony Mann) (10:00 PM) (western) She Wore a Yellow Ribbon (1949/104 m/John Ford) Friday, October 30, 2020 (12:00 AM) (documentary) Primary (1960/53 m/Robert Drew) (1:15 AM) (documentary) Crisis (1963/53 m/Robert Drew) (2:15 AM) (premiere) Dos Monjes (1934//Juan Bustillo Oro) (4:00 AM) (drama) Of Mice and Men (1939/107m/Lewis Milestone) (6:00 AM) (documentary) MGM Parade Show #5 (1955/26 m/?) (6:30 AM) (horror) Doctor X (1932/76 m/Michael Curtiz) (8:00 AM) (horror) The Mask Of Fu Manchu (1932/68 m/Charles Brabin) (9:30 AM) (horror) The Most Dangerous Game (1932/63 m/Ernest B. Schoedsack) (10:45 AM) (horror) Island of Lost Souls (1932/70 m/Erle C. Kenton) (12:00 PM) (horror) White Zombie (1932/67 m/Victor Halperin) (1:30 PM) (horror) The Vampire Bat (1933/63 m/Frank Strayer) (2:45 PM) (horror) The Mystery Of The Wax Museum (1933/77 m/Michael Curtiz) (4:15 PM) (horror) Mad Love (1935/68 m/Karl Freund) (5:30 PM) (horror) The Walking Dead (1936/65 m/Michael Curtiz) (6:45 PM) (horror) The Return of Doctor X (1939/62 m/Vincent Sherman) (8:00 PM) (horror) Burn, Witch, Burn! (1962/89 m/Sidney Hayers) (9:45 PM) (horror) The Four Skulls of Jonathan Drake (1959/70 m/Edward L. Cahn) (11:00 PM) (horror) The Devil's Bride (1968/96 m/Terence Fisher) Saturday, October 31, 2020 (12:45 AM) (horror) The Conqueror Worm (1968/87 m/Michael Reeves) (5:15 AM) (short) The Distant Drummer: Flowers of Darkness (1972/22 m/William Templeton) (5:15 AM) (short) Movie Trailer (1950/16 m/?) (6:00 AM) (horror) Freaks (1932/62 m/Tod Browning) (7:15 AM) (horror) Dr. Jekyll and Mr. Hyde (1932/96 m/Rouben Mamoulian) (9:00 AM) (horror) House of Wax (1953/88 m/Andre DeToth) (10:45 AM) (horror) Children of the Damned (1964/90 m/Anton M. Leader) (12:30 PM) (suspense) The Bad Seed (1956/129 m/Mervyn LeRoy) (2:45 PM) (drama) The Picture of Dorian Gray (1945/110 m/Albert Lewin) (4:45 PM) (horror) The Wolf Man (1941/70 m/George Waggner) (6:00 PM) (horror) The Haunting (1963/112 m/Robert Wise) (8:00 PM) (comedy) Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964/95 m/Stanley Kubrick) . (10:00 PM) (horror) Them! (1954/92 m/Gordon Douglas) (12:00 AM) (horror) The Seventh Victim (1943/71 m/Mark Robson) (1:30 AM) (horror) I Walked With A Zombie (1943/69 m/Jacques Tourneur) (3:00 AM) (horror) The Body Snatcher (1945/78 m/Robert Wise) (4:30 AM) (suspense) The Leopard Man (1943/66 m/Jacques Tourneur)
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2020.09.19 12:42 lavtaDomestic Leagues Broadcasting Information
Some of the domestic leagues in Europe start this weekend, some will start 2020-21 seasons later but I thought of having a self-post for broadcasting information of these leagues. There is a lot that I don't know about, please comment in the thread for any additional information whether that's broadcasting information of leagues I didn't include or just broadcasting information about a league that I don't have in a country or a region. Identifying the broadcasters within the league's domestic market is simple for everyone everywhere, so the goal of this thread is not to identify domestic broadcasters but whether it is possible to watch these leagues live abroad, if so where and how. Liga ACB: ACB published an article a few months ago before its 2020 Final Phase tournament designed to complete the 2019-20 season, displaying the 125 countries that would go on to broadcast the tournament and the broadcasters in those countries. I searched for an updated version of that article before the 2020-21 season that will start today on its website but couldn't find it. Nevertheless, ACB usually signs broadcasting deals in 3 year cycles and the current cycle is from 2018 to 2021. So I imagine most, if not all, of the broadcasters of the 2020 Final Phase tournament, are also still the broadcasters of ACB for the 2020-21 season. This is the 2020 ACB broadcasters list: https://acb.com/articulo/ve153393-125-paises-retransmitiran-la-fase-final-de-la-liga-endesa.html If there are changes to that list that you know of, please comment below. If you intend to watch 2020-21 ACB broadcasts, it would be wise to see the 2020 broadcaster in your country and check to see if they still broadcast the league for this upcoming season via online search/phone/email whatever you fancy. If the country you're in is displayed in grey, then just searching for information on whether some broadcaster picked up ACB rights for the 2020-21 season is worth a try. 2020-21 season starts today: https://acb.com United League: This is just complete ignorance of me but I very recently learnt through a Russian friend that UL has broadcasted matches live on their website. I haven't watched United League matches live for a couple years. Its 2020-21 season starts tomorrow with a Khimki vs Zenit opener and I'm looking forward to try that. Apparently public sports broadcaster Match TV also broadcasts the league as well as Sportbox.ru if I didn't get that wrong so I'm not sure whether United League website broadcasts all the matches but I'll see I guess. I might edit this part of the post with accurate information after the 1st round of the fixture this season trying them out. I don't know any Russian but sportbox.ru might just be showing Match TV broadcast on their website rather than broadcasting matches separately. In any case, it seems if we want to watch a broadcast on Match TV through its website or sportbox.ru, we need VPN access from Russia (or maybe Estonia, Poland or Belarus would suffice too since there are clubs from those countries in the league but I doubt it). I don't know how or from where one watches matches live on United League website yet, whether it's available on the English section of the website or not. But this is the league website: https://www.vtb-league.com/en/ Match TV website: https://matchtv.ru Sportbox: https://news.sportbox.ru I'll edit this portion of the post when I try these out and hopefully find more accurate information. I've been told that the camera icon on match boxes on UL website should be the broadcasting page of the match, like this page for the upcoming Khimki vs Zenit opener: https://www.vtb-league.com/en/game/4386909/#video I'll see if that works. If you have further info, please comment below. I don't know whether the league is broadcast abroad (including Estonia, Poland and Belarus which have clubs in the league) so please share information you know of regarding that as well. edit1: I cannot believe I've been oblivious to this United League website actually has full match replays on match reports. You can check this by picking any 2019-20 match, clicking onto it, then selecting "video" from the top menu of the match report and voila at the bottom of the page they have the full match replay uploaded there: https://www.vtb-league.com/en/schedule/#mbt:15-303$f&season=110401:$t&0=1 BSL: Unfortunately Turkish BSL is broadcasted by Tivibu in Turkey and they have a dirt cheap streaming option (less than €1,5 per month) but the unfortunate part is they ask for Turkish ID number whether you are signing up for that online or via phone. So that's not an option unless you are a Turkish citizen. If you are one, you could purchase Tivibu Go here: https://www.tivibu.com.tpaketler or via their phone number. Last season Sport Klub I think, was broadcasting the league. Its pay-tv channels operate in Bosnia and Herzegovina, Croatia, Montenegro, North Macedonia, Serbia, Slovenia and Poland. Not sure if BSL was broadcasted in all those countries but probably. I have no idea whether that broadcast contract continues into 2020-21 season, probably there are people who know. I don't know about any other country where BSL was broadcasted, add the info if you do. 2020-21 season starts a week from now, 26 September: http://www.tblstat.net (official website is garbage, not even an exclusive website) Lega Basket Serie A: Last season eurosport was the domestic broadcaster and fortunately they were also broadcasting the league on eurosport player which costs €5 per month and €25 per year (obviously has more sports rights than LBA). Last month, Eurosport and LBA extended their agreement for two more seasons and 2020-21 schedule of the league showcases eurosport player as the broadcast partner on all matches: http://web.legabasket.it/schedule/ So you can watch Serie A live and on demand via eurosport player. Next weekend's round 1 fixture is not seen scheduled on their basketball section yet, you may ask about that to their support team (they had live support last time I checked on the website) just to be sure. Even though they have some 2019-20 matches on demand on their basketball section at the moment. Just to be clear, eurosport is the domestic broadcaster but all matches are available to watch live and on demand on eurosport player nevertheless, this was the case last season and they just renewed their contract. I'm already subscribed to eurosport player due to tennis broadcasting so I don't need to ask but you could ask their support team if they'll stream LBA in your country this season before subscribing just to be sure: https://www.eurosportplayer.com I don't know anything about abroad television broadcasters. 2020-21 season starts on 26 September: http://web.legabasket.it/schedule/ ABA Liga: I don't know anything about this league's live broadcasting in general. But they've been uploading full match replays on league's youtube channel for years: https://www.youtube.com/c/ABAligajtd/videos 2020-21 season starts on 2 October: https://www.aba-liga.com/calenda20/1/ Basketball Bundesliga: Very similar to BSL, BBL's domestic broadcast rights holder has a streaming platform but doesn't allow foreigners to subscribe. Although not by ID number this time (maybe that comes in next steps of registration though) but just asking for German address, German card number. If you have such things, reside in Germany, etc. you can subscribe at: https://www.magentasport.de/angebote Nova Sport in Serbia, Sport Klub in Slovenia, Croatia, Montenegro, Serbia and Poland, Sport5 Plus in Israel have broadcasted the BBL Final Tournament to end the 2019-20 season post-pandemic. Flohoops in US/North America broadcasted the league in 2019-20 season but not the Final Tournament I think. Have no idea if those will be the broadcasters for the 2020-21 season. 2020-21 season starts on 6 November: https://www.easycredit-bbl.de/de/n/news/2020/juli/pm-saisonstart/ LNB Pro A: L'Equipe TV has become the domestic broadcaster just this month. It seems L'Equipe TV is not a pay-tv channel but a free-to-air. And when you search online, some options come up about watching L'Equipe TV live that may not be illegal due to channel not being a pay-tv one. May or may not need VPN access from France though, not sure. I also have no idea how many channels they have, how will all the Pro A live matches will be handled, etc. And I don't know about any abroad broadcasting options either. 2020-21 season starts on 23 September: https://www.lnb.ffpro-a/calendrier-proa-25.html Israeli Basketball Premier League: IBPL has an OTT service just for foreign viewers as it's not available for purchase in Israel. It's €5 per month: https://www.winnerleague.tv/en-int/page/pricing-bsl However the league was also uploading full match replays on its youtube channel last season: https://www.youtube.com/useWInnerleague So if that's going to continue in the 2020-21 season, then the OTT service doesn't have exclusive on-demand feature but has exclusive live rights. 2020-21 season starts on 17 October: https://basket.co.il/results.asp?cYear=2021&lang=en LKL: It seems the league has struck a deal with a streaming platform to broadcast matches abroad for €10 per month subscription price: https://www.fanseat.com/lkl 2020-21 season started yesterday and continues this weekend: https://en.lkl.lt/tvarkarastis Greek Basket League: Well, safe to say I don't know anything about GBL broadcasting. I've lost interest especially after Olympiacos relegation but I'd watch some fixtures if I easily could. I'm sure there are multiple Greek redditors here to fill me in with the broadcasting information so I could edit this portion of the post with such information. I only know ERT was the domestic free-to-air broadcaster of a few matches (still is?) which were available to watch through their website abroad (still is?) and Cosmote was the domestic pay-tv broadcaster (still is?). 2020-21 season seams to be starting on 10 October: http://www.esake.gen Belgian PBL: PBL was broadcasting matches live and had full replays for free here last season: https://www.embl.tv/en-int/page/home Not sure if that's going to continue for 2020-21 or whether it's available in Belgium. 2020-21 season has been postponed until 7 November: http://euromillionsbasketball.be/article?id=5872 Bonus: Continental Competitions Well, the post is really for domestic leagues but I fancy all known broadcasting information being gathered here so might as well include continental competitions. EuroLeague and EuroCup have ELTV as an OTT platform with live broadcasts and full replays available to subscribers: https://tv.euroleague.net ELTV is not available in Spain because DAZN has the streaming rights there, it's not available in Italy and UK because eurosport player has streaming rights there, it's not available in Canada and US because flohoops has streaming rights there. EuroLeague and EuroCup have too many television broadcasters to count, you can find which one is the one in your country by searching online surely if you don't know. EuroLeague 2020-21 season starts on 1 October: https://www.euroleague.net/main/results EuroCup 2020-21 season starts on 29 September: https://www.eurocupbasketball.com/eurocup/games/results BCL has an OTT service at: https://www.livebasketball.tv/packages However they were also uploading full match replays on youtube last season: https://www.youtube.com/c/BasketballCL/videos Not sure if that continues that season, perhaps not as the competition got considerably stronger for the 2020-21 season. I think the qualifying rounds for the 2020-21 season already have started but the group stage will start on 13 October: www.championsleague.basketball Also BCL will finish the pandemic struck 2019-20 season with a Final 8 tournament from 30 September until 4 October. I don't know any broadcasting info about FIBA Europe Cup aside from the fact that FIBA's youtube channel posted some (or all even?) full match replays of the 2019-20 season: https://www.youtube.com/playlist?list=PLCXERy73Oiz9n30WveNiKavuAQsQUy-kM Oddly for me, the competition is not included in the live basketball OTT service that has BCL streaming rights. 2020-21 season has become 2021 season by being postponed until 6 January: https://www.fiba.basketball/europecup/20-21
2020.09.19 10:09 hellowordddTogether with new partners, Huawei shares vision for a revolutionary new tech experience
Find more ,please visit here. Huawei reveals Seamless AI Life experience to make life easier for consumers Huawei Consumer Business Group (BG) has today shared details of a revolutionary new experience for consumers - the Seamless AI Life experience. The product of a long-term business plan focused around the innovative 1+8+N product and software ecosystem, Huawei’s Seamless AI Life experience is set to help users stay connected effortlessly and at all times. Together with a newly announced range of IOT ecosystem partners and AppGallery applications, Huawei promises to make life more seamless and intelligently connected for consumers. Users everywhere can now simply tap to connect and enjoy the rich benefits of a Seamless AI Life. https://preview.redd.it/kuzlm1b9b2o51.png?width=808&format=png&auto=webp&s=4a602341d89d0d532834ac1a06b6212e88100ca2 Amid challenging times, Huawei pointed to a 25 percent increase in monthly active users across its product and software ecosystem worldwide. Now home to 650 million1 monthly active users, Huawei’s latest updates on the 1+8+N ecosystem show that more people are enjoying a Seamless AI Life as they effortlessly stay connected with friends, family, colleagues and loved ones. Connectivity has become the most valuable commodity in recent times, and Huawei’s commitment to creating a world where everything works together intelligently, seamlessly and effortlessly is now more important than ever. With the increasing availability of 5G networks, growing use of IOT devices and rising demand for seamless user experiences, Huawei has doubled down on its plan to add value for consumers through the unique benefits of the 1+8+N ecosystem. Huawei’s long-term strategy will see the company expand its product focus areas, putting an increased emphasis on audio, wearables, PCs, tablets and other categories of connected technology. With the smartphone at the core, Huawei’s 1+8+N strategy outlines its vision to bring digital to every home, person and organisation to create a fully connected intelligent world. Because when we come together we can help extend what is humanly possible and make the world a better place for everyone. Controlled by the smartphone and connected by EMUI, Huawei’s ecosystem brings together a collection of new technologies that work together to deliver the world’s most exciting new intelligently connected digital experience. The ‘1’ represents the smartphone, which is central to the ecosystem, connecting and controlling the wider devices. The ‘8’ is the peripheral connected devices, such as HUAWEI FreeBuds 3, HUAWEI WATCH GT 2, Sound X, HUAWEI MatePad Pro, HUAWEI MateBook X Pro and HUAWEI Vision. ‘N’ is the layer where everything comes together, denoting the millions of IOT devices that are effortlessly connected using Huawei HiLink technologies, with the plus symbol representing Huawei Share and HiLink, the technologies that seamlessly connect everything together. Huawei, a brand which has unrivalled expertise in building networking infrastructure, is also one of two device companies in the industry to have built its own software and hardware ecosystems. These two factors mean that Huawei can bring unique benefits to consumers through distributed technology, which unlocks vital privacy and security benefits in addition to providing a seamless and user-friendly experience with 1+8+N. New apps and partnerships announced as Huawei expands ecosystem Huawei has continuously demonstrated its collaborative nature, often working with leading brands such as Leica and Devialet to enhance the customer experience. Today, Huawei has announced five new partnerships as it continually expands the 1+8+N ecosystem with new additions every week. • Samsonite the world’s leading luggage brand, has entered into partnership with Huawei. Moving beyond the home to offer connected benefits while travelling, 1+8+N users can simply tap their Huawei device on the Samsonite smart lock to lock their suitcase. Leveraging Huawei Share and Huawei Pay technology to make life easier and more secure when on the move. • 360 Robot Vacuum Cleaner has also been added to the 1+8+N ecosystem, providing an intelligent and automated floor cleaner that can be remotely controlled and monitored using the Huawei AI Life app on a Huawei device. • Kärcheris the world’s leading provider of cleaning technology. The brand is renowned for bringing innovative cleaning solutions to the market, the latest of which being the HUAWEI HiLink Kärcher Water Purifier. Now added to the 1+8+N ecosystem, users can detect their water purifier’s filter life and water quality in real-time using the Huawei AI Life app on a Huawei device. • Joyoung Intelligent Thermostatic Electric Kettle has also been added to the 1+8+N ecosystem, allowing users to remotely control and monitor their kettle using the Huawei AI Life app on a Huawei device. Making a cup of tea or coffee has never been easier. • OPPLE Lighting provide a range of lighting solutions, including smart lighting. Integrating seamlessly into the 1+8+N ecosystem, users can now control their OPPLE smart lamps using the Huawei AI Life app on a Huawei device. In addition to the exciting new hardware partnerships, Huawei has also added a range of popular apps to the Huawei AppGallery. Including a complete range of apps across a number of important verticals, this represents a significant step forward for Huawei and is set to delight users of the latest smartphones and tablets. Some of the most recent additions are set to capture users’ imaginations, and more new apps are being added every day. • Social media: Telegram and Viber cater for users’ instant messaging and VOIP needs while TikTok is the top destination for short form videos. • Photo editing:Cut Cut, PicsArt and PhotoGrid provide a rich suite of tools for photo editing, adding to Huawei devices’ already-exceptional photographic capabilities. • Sports, media and entertainment:The Sun and The Times to offer a well-rounded media and entertainment experience, with the Premier League and talkSPORT apps catering for sports fans. • Gaming:Asphalt 9, Clash of Kings, Game of Thrones, Rise of Kingdoms join a growing list of games to keep users entertained at all times. • Maps, navigation and search: Qwant search, HereWeGo maps and Sygic navigation provide useful and secure tools to help users navigate the internet and real world around them. • Travel and accommodation: Booking.com, Skyscanner and Agoda are joined by Emirates, Lufthansa, Turkish Airlines and more to provide all the tools users need to plan international trips, with Bolt, the popular ride-hailing service, helping people get around town easily. • Education: BBC Learning English, ClasseViva and Kahoot! represent a wide spectrum of educational apps. • Shopping: Lidl, JD Sports, AlliExpress and Rakuten join a growing list of international vendors. • Finance: Two of Spain’s largest banks, Caixa Bank and Santander, add to the likes of BoC Pay, DBS Digibank, Eurobank and Société Générale to offer essential banking and financial services for users. Andrew Garrihy, Global Chief Brand Officer of Huawei’s Consumer Business Group, commented: “Huawei has won the hearts of consumers around the world with our innovative and often ground-breaking technology. Now we are bringing this technology together for everyone via our 1+8+N ecosystem of products and software. Thanks to our Seamless AI Life experience, users can simply tap to connect in the most effortless way, opening up a world of possibilities through Huawei Share, multi-screen collaboration and more. By providing a Seamless AI Life experience for consumers everywhere, we hope to bring the world together and help people stay connected.” 1.Source: Factsheet of Huawei Consumer Business Group Media:
Huawei’s products and services are available in more than 170 countries and are used by a third of the world’s population. Fifteen R&D centres have been set up in the United States, Germany, Sweden, Russia, India and China. Huawei Consumer BG is one of Huawei’s three business units and covers smartphones, PC and tablets, wearables and cloud services, etc. Huawei’s global network is built on almost 30 years of expertise in the telecom industry and is dedicated to delivering the latest technological advances to consumers around the world. For more information please visit: https://consumer.huawei.com For regular updates on Huawei Consumer BG, follow us on:
2020.09.19 00:16 curryking99Citi Premier Downgrade Options - Keep TYP Alive
Hey Yall, I am in the market for a new CC and the Citi Premier is catching my attention due to the Turkish Airlines transfer partner. I also like the multipliers and will be able to get value from the card after year one. The problem is, I am heavily invested in the Chase & Amex systems and I really don't want to pay an annual fee long term. So my question is - If I downgrade my card to the Double Cash or Rewards + after year 1, will my TYP points stay alive? 77x scores on all three, 0/6, last account open was back in April 2018, <1% etc... TIA
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2020.09.18 06:04 danny_longlegsRamblings on the impact this game has had on me.
Someone made a similar post to this today and they specifically refrained from going too deep, but they also invited others to tell of their experiences. This was originally meant to be a comment on that post but I feel I went in a bit hard for what the post was intended for. I apoligise to the OP of that post if they feel I'm stealing attention away from their post. This is something I've been trying to articulate since I beat the game and it took your post to motivate me to sit down lay it all out. Here goes: There are few pieces of media that I hold so close to my heart that I consider them a part of my identity. Some folk find this easy, being a huge starwars fan, or simpsons or star trek fan - buying the figures, dressing up for premieres, etc. In other words: letting a piece of media be involved in your life well farther than its consumption. For me, I hold Ocarina of Time in that regard and pretty much nothing else. I don't really own any figures, merch, and havent even played most of the Zelda games... But having spent many formative years playing OoT with my grandfather, beating it something like 7 times... I can't help feel I owe a lot of who I've grown up to be to that game. It taught me about selflessness, the power of music, and maybe most importantly, that its okay to feel like and outsider in the place you call home. Not to mention my problem solving skills and persistance and willingness to tackle scary challenges. That game showed me a kind of path through life that made sense. We grow older, those once close to us sometimes grow distant, some change and grow to play a different role in your life than you might have expected. There are also bad people out there, and sometimes the people who are supposed to be on your side will fall for their tricks. For the past 4 years or so, my life has been on a constant downhill trend. After building up momentum in a music career that seemed (to everyone but me) destined for success, then pissing it away because my mental health got in the way with no real healthy coping strategies under my belt, I've resigned my life mostly to hanging out with a small group of old friends, playing videogames (often with those friends) and working at a cafe to connect with my community. I am very depressed. I have a partner, she is so wonderful and deserves better than my sad ass. I find it very easy to be alone. And even easier to distract myself from reality... My world has grown cold and dark, but there is no villian. No overwhelming force of darkness to put my mind towards destroying. Things have stopped making sense. Some of you might know this feeling, and have probably worked out that I'm 25 lol. About a month ago I beat Nier: Automata, and since then I haven't stopped thinking about the world, the characters, the complete suspense of disbelief I had throughout my entire time with it. This game sparked something in me. I couldn't even name a single character arc or event in the game i specifically relate to... but this game speaks my language. It acknowledges the meaninglessness, but wants you to fight anyway. To fight for whatevers coming next, even if its just more awful shit. It doesn't care about making sense, because it doesn't want to relate to people whose lives make sense. There is no villian in this game. There is only the conflict that arises in the struggle to find meaning. All the whimsical lines my parents fed me about living life to the fullest, all the bullshit in the movies and television... You get to a certain age, and a certain distance down the way, where you feel betrayed by all of it. You realise that no one had worked it out. And any answer you were given as a child as to the point of living, wasn't an answer to inspire you or guide you. It was an answer in place of admitting that we're all scared, confused, and doing our best to buy a meaningful life with the monopoly money that is 'hard work'. There is plenty of art and narrative work out there that expresses this, but so often that work will be fixated on it too much. Or it will take itself too seriously, or become an oxymoron and try to offer a singular solution. But Nier: Automata is different. It seems to simultaneously ponder meaninglessness, while challenging any logical or emotional response you might have to that meaninglessness. It leaves you with no answers... but instead another question 'Wasn't making an effort to find the answer kind of fun? Wasn't it beautiful?' I needed to be reminded of this sentiment. It's one I carried throughout my more formative years, but seemed to lose as I moved from Childhoods End to the part of my life where it became up to me to find a reason to show up. Life hurts. All the heartbreak and sadness I've experienced in my life is not only unique to being human, but unique to being me. It's a part of the overwhelming complexity to consciousness that allows me ponder meaning at all. I think the message of the game, to me, is to not give in to meaninglessness, but also not to fight against it. Let it free you. It is the catalyst to all things human, and the more you learn to live alongside it, the greater the human experience you will have. It took me some time to realise the effect living in this strange emotional landscape was having on me. While playing the game, and since then too, I have slept better, been way better at communicating with others, felt more positive in general. I'd even go as far to say I became wittier, or at the very least more confident in my own sense of humor. One thats very dark, mind you. This is my first time trying to hold down my flurry of thoughts about this game, to form a few sentences with them. I hope it's engaging and not too self-aggrandising. Maybe it helped you reflect on the game and its relationship to you. Maybe you think I'm just particularly horny for 2B. Either way, thanks for reading, please tell me about your experiences to this game, or ask me any questions as I would love to discuss this stuff even further.
2020.09.18 04:53 thejumpingtoadShifting from Enterprise to Cloud Consulting
My first job out of university is working for one of the top Banks (4yrs). I pivoted from being a mere level data analyst into a AWS Solution Architect / DevOps Engineer. I'd consider my software dev skills on the beginneintermediate end. I've truly enjoyed enterprise and a opportunity has came up where I can work for a Amazon Partner Network (premier level niche firm) where i'd consult on all things AWS, GCP and Azure. The opportunity seems like a no brainer as it comes with a a high base salary increase (52%). My main concern is the ability to perform. I do have the tenacity to work hard, love learning new technologies, and hit the ground running. A lot of my earlier roles were out of my scope and I was able to impress and develop complex architecture solutions at the enterprise level. I've read consulting > industry is very common, however, vice-versa can be difficult. Enterprise makes us complacent and comfortable, not everyone is used to the fast pace environment consulting provides. Has anyone made the opposite switch and how did it work out? I should also preface, this isn't Big4 consulting where hours are insane, this would be a relatively low end consulting role with 45-50hrs max. My main reason to switch jobs is Enterprise is slow, process driven, and difficult to adopt new technologies. I feel like I am slowly stagnating and by the time new technologies/tools are available, there's something that does it better. I'm also a bit frustrated how segregated our teams are (Cloud, DevOps, Containerization, Cloud engineering etc.), they're all siloed off and in my role I don't get exposure to other processes/tools. Would appreciate some thoughts and advice at this crossroads
Shounen is a genre famous for its rigid tropes: underdog main characters (almost universally male) inspiringly fixated on reaching their goals, intense fight scenes, and themes of teamwork, the bonds of friendship, determination, and the power of hard work. Although the genre has received criticism for clinging so closely to established themes and tropes, its global popularity speaks for itself. Although marketed toward boys, at least one third of Weekly Shonen Jump’s readers are now female. Despite this, Shonen Jump’s female characters remain over-sexualized, helpless, or useless beyond serving a role as the main character’s love interest. The manga and anime world has not yet caught up with the times by creating female characters that are both realistic and sympathetic to their real-world counterparts, and as prominent and important as their male costars. If one in three readers are female, why are female characters still relegated to the sidelines? Perennial favorites Naruto and its sequel Naruto Shippuden by Kishimoto Masashi were among the first series to break this mold, including a cast of female characters with powerful skills and personalities who actually contributed to the plot. Naruto was originally published from 1999 to 2014 and, although by today’s standards its female representation is lacking, was truly ahead of its time. This may even have contributed to its international success, as it provided female fans with the opportunity to finally see themselves portrayed with attempted nuance and respect in a shounen manga. Unfortunately, both Naruto series are full of women who are either strong, well-written characters without much screen time, or weaker characters who appear more frequently. Prominent among them is the most powerful woman for most of the series, Lady Tsunade.
It’s storytelling choices like these that send a silent but powerful message to female viewers: you’re not as important as the men. You’ll always need someone to rescue you. You’re not as interesting and you’ll never be as powerful, because if you were, you’d receive the same amount of attention. Not only is this subtle message harmful to female watchers, it’s not a great message for men and boys to internalize either. It reinforces the omnipresent societal idea that women are inferior, their struggles and stories don’t matter, and that instead of being a partner on equal footing, they’ll always cause problems by needing to be taken care of or rescued. And this is why Black Clover is so meaningful to me. It’s one of the more recent battle shounen, having premiered in 2015, and it seems like an extremely typical shounen anime at first glance. With an underdog male protagonist who passionately wants to achieve his goals, teams of magical elite fighters, and inspirational themes, it has even been accused of being a cheap Naruto knock-off. However, if you stick around a little longer (and don’t worry, the further you get into the series the less Asta will be busting your eardrums!), it becomes clear that it might have done the impossible. Finally, here is a shounen battle anime with female characters who work hard, are vital members of their teams, can take on and defeat male characters in a fight, and actually get a lot of screen time!
I won’t lie – I teared up at that scene. It was the first time I saw two powerful women in an anime share an intimate student/teacher moment, and it was truly impactful. It reminded me of something that could have happened between Naruto and Jiraiya, and what I wish we could have seen between Sakura and Tsunade or even Hinata and Kurenai. Moments like this provide the audience with a greater understanding of and connection to a character, and it’s unfortunate and telling that they almost exclusively happen with male characters. In that moment, we saw Mereoleona and Noelle not as love interests for the main character, not as sex objects, not as helpless damsels, not even as fierce but one-dimensional warriors, but as fully articulated people. They were simply two women sharing a powerful moment completely unrelated to any of the men in the story. That’s what makes Black Clover an unexpectedly ground-breaking show. Instead of portraying its female characters as walking airheaded stereotypes or cautious depictions of an archetypal “strong woman,” it simply treats them as people. Black Clover has truly raised the bar for depictions of female leaders in shounen anime, and of female characters in general, as these solid portrayals are not just limited to women in leadership positions. Almost every single woman—Captain Charlotte, Mimosa, Charmy, Vanessa, Captain Dorothy, and even Fana, among others—is strong enough to win a fight against most of the boys; self-contained enough that even when they have questionably strong crushes, it doesn’t impair their judgement in moments of crisis; and well-rounded enough that they operate outside the needs and desires of the male characters. Shounen anime has strong, inspirational messages of teamwork, personal excellence, and never giving up, and it’s exciting to see this become even more accessible to its many female fans. Despite the criticism I have of Naruto and Naruto Shippuden, they still remain two of my absolute favorite anime and have given me many valuable lessons that continue to shape my life. Especially when compared to the female representation in contemporary shounen anime like One Piece, it’s clear that despite often falling short, Naruto made valuable advancements in portraying its female characters with fairness and respect. I’m happy to see that Black Clover has picked up where they left off and is helping propel the genre to a new level. Representation in media matters. Not only does everyone deserve to see themself portrayed in a thoughtful, inspiring way, it’s time for those who have always seen themselves on screen to receive more insight into the lives, thoughts, and struggles of those who remain more marginalized in our world.
It's nice a person likes Black Clover. What about Fairy Tail? If you go to the ranker list of The Best Female Anime Characters and click to list by women voters, the top 10 has 5 fairy tail girls. So do women like Fairy Tail? Is it possible women like this show because of scenes like this or this or this or this and it doesn't matter that Fairy Tail also contains boobs and fan-service? (I linked some fight scenes up there, but I'm not an expert on what women like. It's possible Fairy Tail girls rank high on that ranker list because the show does something right with them outside of the fight scenes that women like, but if so I wouldn't know what scenes to link to. Levy is ranked 6th and she's not a fighter. And this character is 7th.) Another datapoint: on The 30+ Best Shounen Anime Of All Time list Fairy Tail is 20th if you order by men, but click on women and its number 1. A feminist analysis of Fairy Tail would probably call it problematic because it contains boobs and fan-service, but what if it is actually fine and harmless if Fairy Tail exists for the men and women who enjoy it?
2020.09.17 22:31 Kristab77CREAKYJOINTS PRESENTS TUMBLER AND TIPSY BY MICHAEL KULUVA VIRTUAL PRESENTATION OF THE SPRING/SUMMER 2021 COLLECTION DURING NEW YORK FASHION WEEK
CreakyJoints®, a Global Healthy Living Foundation digital patient community for people with all forms of arthritis, presented the Spring/Summer 2021 Tumbler and Tipsy® by Michael Kuluva collection during New York Fashion Week. As a designer with rheumatoid arthritis (RA) and CreakyJoints member, Michael advocates for social distancing and following local guidelines to stay safe and reduce the spread of the COVID-19 virus. Therefore, “The Newest Normal” collection event – filmed in Canada where Michael is residing during the pandemic -- was presented virtually and premiered on YouTube on September 16, 2020 at 8pm ET. Immediately preceding the premiere, Michael participated in a live #CreakyChats on Twitter to discuss the inspiration behind his collection. As the Spring/Summer 2021 Tumbler and Tipsy® virtual show started, viewers met with arthritis advocate Emily Sirotich, whose sleep is disturbed by pain and is seeking support from the CreakyJoints website. It wasn’t long before she crossed paths with Michael and gets magically transported to the collection presentation. Once there and in partnership with Cherrytree Records, her journey was punctuated by music from global music superstars including Lady Gaga, Sting, Shaggy, and more. https://preview.redd.it/exlwzsavprn51.jpg?width=2039&format=pjpg&auto=webp&s=9513d5c4c8af9718bb33fa06e30eea8beb795db9 “I’m thrilled to bring my COVID-conscious collection to a global audience because being physically distant does not preclude joint celebrations,” said Michael Kuluva, designer of Tumbler and Tipsy. “My new collection was inspired by my desire to inject light, color, and happiness into our world, which may feel smaller as we hunker down to protect each other during the pandemic. When I get dressed in something that looks amazing and feels great, it sets the tone for the rest of my day. I hope my collection inspires self-care.” "My involvement in the Tumbler and Tipsy Fashion Show highlights the importance of bringing lived experiences into the spotlight. Arthritis advocacy can take many forms, and it is inspiring to see Michael Kuluva showcase the experience of arthritis patients on the world stage," said Emily Sirotich, a Ph.D. student at McMaster University in Hamilton, Canada and a member of the Canadian Arthritis Patient Alliance, CreakyJoints, and the COVID-19 Global Rheumatology Alliance. The Newest Normal Michael continues to innovate, filling The Newest Normal with comfortable clothing that is great for lounging around in, but stands out from the crowd with high volume colors and glam touches that will make the wearer feel confident. Always inclusive, Michael’s clothing is easy to put on and many of the collection pieces will have hand-painted, glow-in-the-dark details thoughtfully placed to emphasize where people living with arthritis experience pain – on the inside and out. “The pandemic has upended everyone’s lives, particularly those who are at increased risk because of underlying conditions or living with a chronic disease, like I do. When I need support, I’m glad I can count on CreakyJoints to be there for me. CreakyJoints parent organization, the Global Healthy Living Foundation, jumped into action and launched a Covid19 patient leadership council and support program, available at GHLF.org. Additionally, I can find community day or night on their social media channels, log my symptoms into the ArthritisPower mobile app and participate in their monthly #CreakyChats,” added Mr. Kuluva. https://preview.redd.it/305eyf5xprn51.jpg?width=2058&format=pjpg&auto=webp&s=5be47640beb9fdd834a967a7c12a08ae5b2d4783 Event Details The Tumbler and Tipsy by Michael Kuluva virtual show premiered at 8:00 p.m. on September 16, 2020 on YouTube: http://www.virtualfashionshow.net/ CreakyJoints co-founders Seth Ginsberg and Louis Tharp said, “Every year, we’re surprised and inspired by Michael’s Tumbler and Tipsy collection, which is always inclusive without sacrificing fun or style. We congratulate him on his premiere and look forward to continuing our relationship with him because he sets an important example of how to live and live well with rheumatoid arthritis.” About Rheumatoid Arthritis Rheumatoid Arthritis (RA) is a chronic inflammatory disease that causes pain, stiffness, swelling and loss of function in the joints throughout the body, but typically the small joints of the hands and feet. RA can strike at any age and, if left untreated, can cause joint damage and even permanent joint destruction or harm to the body’s organs. RA is an autoimmune disease that is treated typically by a specialist called a rheumatologist. Read more about managing RA in "Raising the Voice of Patients: A Patient's Guide to Living with Rheumatoid Arthritis," available for free download at http://creakyjoints.org/patientguidelines. About Tumbler and Tipsy Anchored by the creative mind and brilliant talents of professional figure skater turned fashion designer, Michael Kuluva, Tumbler and Tipsy is not only reworking, redefining and revamping the world of fashion but is taking it over with his sexy yet stylish brand. Tumbler and Tipsy is produced in Los Angeles, CA with colorful collections that are distinctive but never repetitive, chic and classy while being comfortable and versatile. Tumbler and Tipsy is not just a line of clothing, it’s a collection of art, it’s an embodiment of chic fashion in the modern world, and it’s a representation of a lifestyle: fun, bold, luxurious and daring. www.tumblerandtipsy.com About CreakyJoints® CreakyJoints is a digital community for millions of arthritis patients and caregivers worldwide who seek education, support, advocacy, and patient-centered research. We represent patients in English and Spanish through our popular social media channels, our websites www.CreakyJoints.org, https://creakyjoints.org.es, www.creakyjoints.org.au, and the 50-State Network, which includes more than 1,500 trained volunteer patient, caregiver, and healthcare activists. Credits: Video Director: Shayne Gray Makeup Artist and Hair Stylist: Angela Lee Female Models: Nini Amerlise, Ashley Katheryn Male Models: Colton Weeks, Fady Zablouk Arthritis Partner: Emily Sirotich Collaborations: Cherrytree Records, Ellie Shoes and artwork by Natalie Corrales Soundtrack Features: Lady Gaga, Sting, Far East Movement, Robyn, Shaggy and Disclosure. This is a special track made for the Tumbler and Tipsy 2021 collection. Part 1 of the 2021 Collection will be available at: http://www.TumblerandTipsy.net/shop on September 15th at 8pm EST.
Continuing its tradition of hosting debates of statewide consequence, the Washington State Debate Coalition (WSDC) and its premier media partners will broadcast a gubernatorial debate between Gov. Jay Inslee and Sheriff Loren Culp on October 7. Additionally, candidates for Lieutenant Governor, State Sen. Marko Liias and US Rep. Denny Heck (WA-10), will debate October 22. The October 7 debate between Inslee and Culp will be broadcast live from 8 – 9 p.m. immediately following the Vice-Presidential Debate. The October 22 debate will air from 8 – 9 p.m. immediately following that evening’s Presidential debates.
2020.09.16 18:09 C_MEProductionAudio/ Video out of sync after importing
Very upsetting problem that my video imports/ audio/ video are out of sync after imports, and it slows down (?) my video magically in the middle, which makes it impossible to match it with the music I'm dancing to. It plays perfectly well outside premiere. I always solved my problems through Google, so I did that and people said change the clips from VFR to CFR with Handbrake, which I tried, but still doesn't work. Any other suggestions please?? Or would it be faster if I edited my video elsewhere then render it in...or would this problem still exist by then... Really need help since my partner isn't really trying to help, I started video editing from zero and I learned everything off YouTube, but yeah she wouldn't do the same and contribute, or bothered to ask what she can do when I expressed my distress about this problem. Ok, I'll save that for some emotional distress channels on Reddit.
Plot Summary: Oh Ye Ji is a ceramic artist. She has a pure heart and relentless optimism and refuses to give up no matter the situation. She dreams of finding ordinary happiness but in a cruel twist of fate gets caught in a love triangle with two brothers, Seo Hwan and Seo Jin. Seo Hwan, an architectural designer, is an innocent young man who falls in love with Oh Ye Ji at first sight. His feelings put him at odds with his older brother Seo Jin, but he can’t let go of his fateful first love. Seo Jin is a race car driver and the leader of his rally team. He is cool and reserved on the outside but is ruthless in the pursuit of what he desires. When he meets Oh Ye Ji for the first time at his father’s workshop, he instinctively feels attracted to her. Carrie Jung, described as a femme fatale, is Seo Jin’s ex-girlfriend and marketing partner. She is charismatic, but she is also intensely jealous over her ex-lover and has a selfish and egoistic streak. She feels passionate love for Seo Jin, whose rally team she used to sponsor, and is unable to let go of him even after they break up.
Spoiler Tag Reminder: Be mindful of others who may not have yet seen this drama, and use spoiler tags when discussing key plot developments or other important information. You can create a spoiler tag by writing > ! this ! < without the spaces in between to get this.
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